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		<title>May 7: Two New Films by Martin Lucas</title>
		<link>http://blog.videoart.net/?p=2762</link>
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		<pubDate>Thu, 03 May 2012 21:09:09 +0000</pubDate>
		<dc:creator>Matthew Ishida</dc:creator>
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		<description><![CDATA[Martin Lucas, whose short film Treatment Plan appeared in the 2011 Video Art &#38; Experimental Film Festival, will screen not one but two of his latest works at Hunter College. See the details below then check out our interview with Martin. &#160; The IMA/MFA Program, The IMA Development Fund, The Department of Film &#38; Media Studies, [...]]]></description>
			<content:encoded><![CDATA[<div>Martin Lucas, whose short film <em>Treatment Plan</em> appeared in the 2011 Video Art &amp; Experimental Film Festival, will screen not one but two of his latest works at Hunter College. See the details below then check out our <a href="http://blog.videoart.net/?p=2089">interview with Martin</a>.</div>
<p>&nbsp;</p>
<div><span style="font-family: arial, helvetica, sans-serif"><strong>The IMA/MFA Program, The IMA Development Fund, The Department of Film &amp; Media Studies,</strong></span></div>
<div><span style="font-family: arial, helvetica, sans-serif"><strong>and The Reel Dialogue Series</strong></span></div>
<p>&nbsp;</p>
<div><em>present</em></div>
<p>&nbsp;</p>
<div><strong><span style="font-family: arial, helvetica, sans-serif">Seeing Power Seeing:</span><span style="font-family: arial, helvetica, sans-serif"> </span><span style="font-family: arial, helvetica, sans-serif">Two Films by Martin Lucas</span></strong><strong><span style="font-family: arial, helvetica, sans-serif"> </span></strong></div>
<p>&nbsp;</p>
<div><strong>Monday, May 7th @ 7PM</strong></div>
<div><strong></strong><strong>HN 502 Screening Room</strong></div>
<div><strong></strong><strong>North Building, Hunter College</strong></div>
<div><strong></strong><strong>695 Park Avenue, NYC</strong></div>
<div><strong></strong><span style="font-family: arial, helvetica, sans-serif"><strong>(Entrance on East 69</strong></span><sup><span style="font-family: arial, helvetica, sans-serif"><strong>th</strong></span></sup><span style="font-family: arial, helvetica, sans-serif"><strong> St. between Park and Lexington)</strong></span></div>
<p>&nbsp;</p>
<div><span style="font-family: arial, helvetica, sans-serif"><strong><em>About:</em></strong></span></div>
<p><span style="font-family: arial, helvetica, sans-serif">These two very different films (</span><span style="font-family: arial, helvetica, sans-serif"><em>Cold Shutdown: Fukushima One Year After and </em></span><span style="font-family: arial, helvetica, sans-serif"><em>Beyond Recognition), </em></span><span style="font-family: arial, helvetica, sans-serif">both look at the current state of the encounter between people and technology and ask how our lives are dictated </span><span style="font-family: arial, helvetica, sans-serif">(even dominated) by complex technologies, technologies that prioritize our lives while masking the games of profit and desire that they involve us while hiding the way that they force us to employ our own humanity in the service of dubious and ultimately sterile goals.</span></p>
<p><span style="font-family: arial, helvetica, sans-serif"> <img class="aligncenter size-full wp-image-2763" src="http://blog.videoart.net/wp-content/uploads/Cold-Shutdown.jpg" alt="" width="226" height="127" /></span></p>
<div><strong><em><span style="font-family: arial, helvetica, sans-serif">Cold Shutdown: </span><span style="font-family: arial, helvetica, sans-serif">Fukushima One Year After (</span></em></strong>36 min. 2012)</div>
<div></div>
<div><span style="font-family: arial, helvetica, sans-serif">The Fukushima disaster, the biggest nuclear catastrophe since Chernobyl, has contaminated thousands of square miles of Japan, and blown open the cozy relationship between politicians, the press and the nuclear power industry in Japan, forcing ordinary citizens to take the matter into their own hands. This short visit with the citizens of Fukushima Prefecture, trying to protect the lives of their children and themselves in the face of the widespread nuclear contamination of their region, in the face of a government determined to return to &#8216;business as usual&#8217; is a portrait of suffering and endurance. Filmed on location in December, 2011.</span></div>
<p>&nbsp;</p>
<div><img class="aligncenter size-medium wp-image-2764" src="http://blog.videoart.net/wp-content/uploads/BEYOND_REC_still03-300x168.jpg" alt="" width="300" height="168" /></div>
<div><span style="font-family: arial, helvetica, sans-serif"><br />
</span></div>
<div><strong><em><span style="font-family: arial, helvetica, sans-serif">Beyond Recognition (</span></em></strong>24 min., 2012)</div>
<div><span style="font-family: arial, helvetica, sans-serif"><br />
</span></div>
<div><span style="font-family: arial, helvetica, sans-serif">This short fiction film focuses on a regular work day in the life of two soldiers operating an Unmanned Aerial Vehicle, a missile-laden drone, from a trailer from a military base</span><span style="font-family: arial, helvetica, sans-serif">  </span><span style="font-family: arial, helvetica, sans-serif">somewhere near Las Vegas.</span><span style="font-family: arial, helvetica, sans-serif">  </span><span style="font-family: arial, helvetica, sans-serif">On this, their first “journey” together, they explore the strange nature of a job that allows one to take out targets on the other side of the globe while sitting at a console sipping your takeout coffee and making plans to pick up your kids from soccer practice. The mission is a targeted assassination over Pakistan, a job that raises important existential questions for this pair of quintessentially modern warriors, who can kill while a half a world away from the battlefield.</span><span style="font-family: arial, helvetica, sans-serif">  </span><span style="font-family: arial, helvetica, sans-serif">With Aaron Lloyd as Specialist Pauly and Sandra Rodriguez as Sgt. Lee.</span></div>
<p><span style="font-family: arial, helvetica, sans-serif"> </span></p>
<p><strong><span style="font-family: arial, helvetica, sans-serif">Martin Lucas</span></strong><span style="font-family: arial, helvetica, sans-serif"> is an artist and media activist whose work explores the links of the technological with languages of control and forms of resistance.</span><span style="font-family: arial, helvetica, sans-serif">  </span><span style="font-family: arial, helvetica, sans-serif">His career includes many works looking at urban crisis and the militarization of American culture seen at venues including The New York Film Festival, the Whitney Biennial, and PBS.</span><span style="font-family: arial, helvetica, sans-serif">  </span><span style="font-family: arial, helvetica, sans-serif">As a member of the Paper Tiger Television Collective, Martin was one of the producers of </span><em><span style="font-family: arial, helvetica, sans-serif">The Gulf Crisis Television Project</span></em><span style="font-family: arial, helvetica, sans-serif"> in 1991.</span><span style="font-family: arial, helvetica, sans-serif">  </span><span style="font-family: arial, helvetica, sans-serif">Other works include </span><em><span style="font-family: arial, helvetica, sans-serif">Cold War in 24 Frames</span></em><span style="font-family: arial, helvetica, sans-serif"> (Durable Reinforcement Art, Utrecht, 2001) and </span><em><span style="font-family: arial, helvetica, sans-serif">Subway Outside</span></em><span style="font-family: arial, helvetica, sans-serif"> with Jeanne van Heeswijk. (Artist&#8217;s Space, NYC, 2000).</span><span style="font-family: arial, helvetica, sans-serif">  </span><span style="font-family: arial, helvetica, sans-serif">More recently Martin has worked with Story Workshop in Malawi, Southern Africa, developing productions around gender violence, food security, and AIDS awareness, including the full-length feature </span><em><span style="font-family: arial, helvetica, sans-serif">Okoma Atani: Who Cares?</span></em><span style="font-family: arial, helvetica, sans-serif"> (2011).</span><span style="font-family: arial, helvetica, sans-serif">  </span><span style="font-family: arial, helvetica, sans-serif">His experimental short </span><em><span style="font-family: arial, helvetica, sans-serif">Treatment Plan</span></em><span style="font-family: arial, helvetica, sans-serif">, a meditation on depression and beauty, aired at the 2011 <a href="http://videoart.net/" target="_blank">Videoart.net</a> Festival in New York.</span><span style="font-family: arial, helvetica, sans-serif">  </span><span style="font-family: arial, helvetica, sans-serif">Martin has a BFA in Film Production from NYU Tisch School of the Arts, and an MFA in Visual Art from Vermont College of Fine Arts.</span></p>
<div><span style="font-family: arial, helvetica, sans-serif"><br />
</span></div>
<div><span style="font-family: arial, helvetica, sans-serif"><span style="font-size: x-small">This event is</span> <strong>free and open to the public</strong>. <span style="font-size: x-small">For further information, please contact David Pavlosky at: <a href="mailto:pav10023@gmail.com" target="_blank">pav10023@gmail.com</a></span></span></div>
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		<title>New Israeli Cinema From Gaza To Sderot at Maysles Cinema May 1-3</title>
		<link>http://blog.videoart.net/?p=2745</link>
		<comments>http://blog.videoart.net/?p=2745#comments</comments>
		<pubDate>Sun, 29 Apr 2012 15:15:16 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[New Israeli Cinema From Gaza To Sderot at Maysles Cinema May 1-3 &#34;New Israeli Cinema From Gaza To Sderot&#34; presents a new wave of cinema that has emerged in Southern Israel during the last decade. It began in the most unexpected place, in a Gazan war zone on the Sderot border. It began in small [...]]]></description>
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<p><strong>New Israeli Cinema From Gaza To Sderot at Maysles Cinema May 1-3</strong> </p>
<p><iframe src="http://player.vimeo.com/video/41186839?title=0&amp;byline=0&amp;portrait=0" width="500" height="283" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
<p> <strong><img src="http://www.mayslesinstitute.org/cinema/calendar/newisraelicinema_warmatador1.jpg" alt="" width="138" height="177" border="10" style="float: left; border-width: 50; border-color: #FFF;" /></strong>&quot;New Israeli Cinema From  Gaza To Sderot&quot; presents a new wave of cinema that has emerged in  Southern Israel during the last decade. It began in the most unexpected place,  in a Gazan war zone on the Sderot border. It began in small immigrants&#8217; towns  and settlements of people from Arab countries, North Africa, South America and  Eastern Europe. The rise of those who live at the periphery, along the border,  brings new voice, which used to be repressed and denied by Israeli hegemony for  years. &quot;New Israeli Cinema from Gaza and Sderot&quot; provides a very rare  opportunity to witness, explore and discuss this new wave and perspective.</p>
<p>&nbsp;</p>
<p>&#8220;New Israeli Cinema From Gaza To Sderot&#8221; will screen at The  Maysles Cinema May 1-3 and tickets are available on The <a href="http://www.mayslesinstitute.org/cinema/newisraelicinema.html">Maysles Cinema</a> website. </p>
<p>                               <iframe src="http://player.vimeo.com/video/41218071" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
<p>                  <span class="style102"><br />
                Curated by Avner Faingulernt. Sponsored by the Visual and Audio Art Department at Sapir College, Cinema South International Film Festival, JMT Films and Screening Partners.</span></p>
<p><em><img height="60" src="http://www.mayslesinstitute.org/cinema/calendar/newisraelicinema_kolnoalogo.jpg" alt="" /></em><em><img height="60" src="http://www.mayslesinstitute.org/cinema/calendar/newisraelicinema_sapirlogo.jpg" alt="" /></em>
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        MAY 2012</div>
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<p>Tuesday, <br />
May 1st, <br />
7:30pm</p>
<p><a href="http://www.brownpapertickets.com/event/245176" target="_blank"><img src="http://www.brownpapertickets.com//g/fl/bpt_s.gif" alt="Tickets" width="88" border="0" /></a></p>
<p><a target="_blank" href="http://www.facebook.com/events/438757569483097/"><img src="http://www.mayslesinstitute.org/cinema/calendar/facebook_event.jpg" alt="Facebook Event" width="88" border="0" /></a>
                </p>
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<td width="21" valign="top"> </td>
<td width="458" valign="top"><span class="style40"><span class="style103">IMMIGRANTS STORIES FROM NETIVOT</p>
<p>Sisai </span><span class="style29"><br />
<em> David Gavro, Israel/Ethiopia, 2005, 56 min. </em> <br />
20-year-old Sisai, an Ethiopian immigrant, lives in Israel with his adoptive family, the Gavros. His father returns from Ethiopia with news about the whereabouts of Sisai&#8217;s biological father. Confused by the news and the realization that he has to confront his past, Sisai does not share his family&#8217;s excitement. He is too busy with his own news, Sivan, his girlfriend, is pregnant. The film&#8217;s director, who is also Sisai&#8217;s brother, joins him and their father on a journey to Ethiopia in search of identity, blood connection, love and longing.<br />
<a href="http://www.wix.com/gavrod/slassi/sisai">Website&gt;</a> <br />
<em>Winner: Lombardia Prize for Best Film: Milan African Film Festival &#8211; Italy 2006 <br />
Winner: Best Documentary Award: Jerusalem International Film Festival &#8211; Israel 2005<br />
Winner: Best First Film Award: Israel Documentary Awards &#8211; Israel 2006 <br />
Hot Docs Canadian International Documentary Festival Toronto &#8211; Canada 2006<br />
The African Diaspora Film Festival, New York City &#8211; USA 2006 </em></span></p>
<p><span class="style103"> My Family&#8217;s Pizza </span> <span class="style29"><br />
<em> Ronen Amar, Israel, 2003, 52 min. </em> <br />
Maksim, a sleep addict, asks his parents to help him buy a pizza place. As soon as the work begins, the parents realize they will have to invest a lot more than just money. With dad as the delivery boy and mom as the oven cleaner, the film provides a true profile of the average Israeli immigrant family in the new millennium. Perhaps the same applies to your home and family? <br />
<em> 3 Continents Film Festival, Nantes &#8211; France 2010 <br />
Winner: Best Documentary Award: The Mediterranean Film Festival of Algarve &#8211; Portugal 2006 <br />
Gold Remi Award: Worldfest International Film Festival &#8211; Houston, Texas &#8211; USA 2005 <br />
Newport Beach International Film Festival, California &#8211; USA 2004 </em></span> </p>
<p><span class="style103"> <strong> Followed by a Q&amp;A with curator, director and educator Avner Faingulernt </strong></span></span></td>
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<td width="91" height="62" valign="top">Wednesday, <br />
                  May 2nd, <br />
                  7:30pm</td>
<td width="21" valign="top"> </td>
<td width="458" valign="top"><strong><a href="http://www.mayslesinstitute.org/cinema/newisraelicinema.html">New Israeli Cinema From Gaza and Sderot </a></strong><br />
                  <em>Curated by Avner Faingulernt <br />
                    Sponsored by the Visual and Audio Art Department at Sapir College and Cinema South International Film Festival, JMT Films</em></td>
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<p><a href="http://www.brownpapertickets.com/event/245179" target="_blank"><img src="http://www.brownpapertickets.com//g/fl/bpt_s.gif" alt="Tickets" width="88" border="0" /></a></p>
<p><a target="_blank" href="http://www.facebook.com/events/438757569483097/"><img src="http://www.mayslesinstitute.org/cinema/calendar/facebook_event.jpg" alt="Facebook Event" width="88" border="0" /></a></p>
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                  A FEMININE POINT OF VIEW</p>
<p>                  Chicken and the Egg (Play me Allegro) <br />
                  <em>Alon Alsheich &amp; Eran Yehezkel, Israel, 2005, 40 min. </em><br />
                  On the border between Israel and the Palestinian authority, 4 km from Gaza, lies the Nir-Am kibbutz. In spite of Israeli missiles and helicopters soaring above their heads, and Palestinian rockets falling in their yard, Julia, a Russian immigrant, and her five-year-old daughter, choose not to give up. Between taking her child from a violin lesson to a dancing class, Julia takes her political left-winged ideology one step further. In doing so, she starts a chain reaction that will lead to results she could never have anticipated. This is an intimate and surprising story of a mother and daughter who raise each other in their barbed-wired Garden of Eden.<br />
                  <a href="http://www.youtube.com/watch?v=GepQ_azFY5M">Trailer&gt;</a> </p>
<p>                  Sderot, Last Exit <br />
                  <em>Osvalde Lewat, Cameroon/France/Belgium, 2011, 80 min. </em><br />
                  This new documentary by French-Cameroonian journalist and filmmaker Osvalde Lewat is a high-risk attempt to portray the contradictions that arise among the multiple ethnicities and peoples in the Film School of Sderot, situated only two kilometers from the Gaza border in Southern Israel. Created with the mission of bringing peace through the ethical, ideological and artistic use of film as a language, the institution indeed cannot avoid becoming a microcosm of the geo-political landscape in which it is located. Like the region, the Film School is precariously weighted by the daily interactions and tensions between Jews, Muslims, Christians, Palestinians, Israelis, and constituents from the left-wing radicals as well as the ultranationalists. <br />
                  <a href="http://www.africanfilmny.org/2012/sderot-last-exit/">Website&gt;</a> </p>
<p>                  <strong>Followed by a Q&amp;A with Carmen Oquando Villar and curator and director Avner Faingulernt </strong></p>
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<td width="101" height="62" valign="top">Thursday, <br />
                  May 3rd, <br />
                  7:30pm</td>
<td width="25" valign="top"> </td>
<td width="459" valign="top"><strong><a href="http://www.mayslesinstitute.org/cinema/newisraelicinema.html">New Israeli Cinema From Gaza and Sderot </a></strong><br />
                  <em>Curated by Avner Faingulernt <br />
                    Sponsored by the Visual and Audio Art Department at Sapir College and Cinema South International Film Festival, JMT Films</em></td>
<td width="15" rowspan="3" valign="top"> </td>
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<p><a href="http://www.brownpapertickets.com/event/245182" target="_blank"><img src="http://www.brownpapertickets.com//g/fl/bpt_s.gif" alt="Tickets" width="88" border="0" /></a></p>
<p><a target="_blank" href="http://www.facebook.com/events/438757569483097/"><img src="http://www.mayslesinstitute.org/cinema/calendar/facebook_event.jpg" alt="Facebook Event" width="88" border="0" /></a></p>
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<td width="459" valign="top">
                  WAR TOURISM</p>
<p>                  War Matador <br />
                  <em>Avner Faingulernt &amp; Macabit Abramson, Israel, 2011, 70 min. </em><br />
                  During the war in Gaza in January 2009, two courageous Israeli directors brought their cameras to shoot events, subjects, alternative perspectives and visuals of the war along the common border with Gaza. The bombing is filmed from a distance, out-of-focus, at arm&#8217;s length, just as the visiting Israeli tourists viewed it. These visiting groups of spectators from different parts of Israel come to see the events of the war like the attendants of a bullfight. The muffled impacts of the bombs in the distance heighten attention to the spoken words of the tourists as well as the communities that live intimately with the violence of this area. The words heard are blunt, seemingly lacking all compassion. This film is a disturbing essay about war and tourism, an absurd and surreal relationship. <br />
                  <a href="http://www.youtube.com/watch?v=chYZAqFp80E">Trailer&gt; </a><br />
                  <em>Finalist: International Competition: TRT 2012 Documentary Awards &#8211; Turkey [May 2012] <br />
                    &#8221;Krakow Documentary Premiere&#8221;: Krakow Film Festival &#8211; Poland 2012 [May 2012] <br />
                    LIDF London International Documentary Film Festival &#8211; U.K. [May 2012] <br />
                    CWFF Cape Winelands Film Festival &#8211; South Africa 2012 [March 2012] <br />
                    Jewish Motifs International Film Festival &#8211; Poland 2012 [April 2012] <br />
                    Filmisreal! Festival &#8211; The Netherlands 2012</em> </p>
<p>                  <strong>Followed by a Q&amp;A with Maysles Cinema founder and director Albert Maysles, Sami Shalom Chetrit and Avner Faingulernt</strong></td>
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		<title>UPCOMING SCREENINGS AND EVENTS AT THE MAYSLES CINEMA</title>
		<link>http://blog.videoart.net/?p=2712</link>
		<comments>http://blog.videoart.net/?p=2712#comments</comments>
		<pubDate>Sat, 28 Apr 2012 16:31:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[Videoart.net is proud to announce its new partnership with The Maysles Cinema! The Maysles Cinema is the only independent film house north of Lincoln Center in Manhattan, New York City and&#160;is committed to a democratic experience, one where filmmakers are asked to attend the screenings of their work, and audiences have the opportunity to actively [...]]]></description>
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<p><strong>Videoart.net  is proud to announce its new partnership with The Maysles Cinema!</strong> </p>
<p><strong><img src="http://blog.videoart.net/wp-content/uploads/Maysles_Cinema_s.jpg" alt="" width="300" height="225" border="10" style="float: left; border-width: 50; border-color: #FFF;" /></strong>The <a href="http://www.mayslesinstitute.org/cinema/newisraelicinema.html">Maysles Cinema</a> is the only independent film house north of Lincoln  Center in Manhattan, New York City and&nbsp;is  committed to a democratic experience, one where filmmakers are asked to attend  the screenings of their work, and audiences have the opportunity to actively  engage the films and each other in post-screening forums.  The Cinema is a part of The Maysles  Institute, a non-profit organization founded by Albert Maysles for the  exhibition and production of documentary films that inspire dialogue and action.  The Maysles Institute possesses an impressive board of directors and supporters  that have long been supportive of artists and filmmakers, including Martin  Scorsese, Yoko Ono Lennon and art advocate Agnes Gund (MoMA).</p>
<p><a name="_GoBack" id="_GoBack"></a>Videoart.net is extremely excited to share the news of  this new partnership with all of our artists and continue to expand our network  of likeminded organizations committed to a similar cause of supporting  independent artists and filmmakers everywhere. </p>
<p>In honor of this new partnership, Videoart.net would like to announce a  special screening series at The Maysles Cinema.</p>
<p><strong>New Israeli Cinema From Gaza To Sderot</strong></p>
<p><iframe src="http://player.vimeo.com/video/41186839?title=0&amp;byline=0&amp;portrait=0" width="500" height="283" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
<p> <strong><img src="http://www.mayslesinstitute.org/cinema/calendar/newisraelicinema_warmatador1.jpg" alt="" width="138" height="177" border="10" style="float: left; border-width: 50; border-color: #FFF;" /></strong>&quot;New Israeli Cinema From  Gaza To Sderot&quot; presents a new wave of cinema that has emerged in  Southern Israel during the last decade. It began in the most unexpected place,  in a Gazan war zone on the Sderot border. It began in small immigrants&#8217; towns  and settlements of people from Arab countries, North Africa, South America and  Eastern Europe. The rise of those who live at the periphery, along the border,  brings new voice, which used to be repressed and denied by Israeli hegemony for  years. &quot;New Israeli Cinema from Gaza and Sderot&quot; provides a very rare  opportunity to witness, explore and discuss this new wave and perspective.</p>
<p>&nbsp;</p>
<p>&#8220;New Israeli Cinema From Gaza To Sderot&#8221; will screen at The  Maysles Cinema May 1-3 and tickets are available on The <a href="http://www.mayslesinstitute.org/cinema/newisraelicinema.html">Maysles Cinema</a> website. </p>
<p>                               <iframe src="http://player.vimeo.com/video/41218071" width="500" height="281" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
<p>                  <span class="style102"><br />
                Curated by Avner Faingulernt. Sponsored by the Visual and Audio Art Department at Sapir College, Cinema South International Film Festival, JMT Films and Screening Partners.</span></p>
<p><em><img height="60" src="http://www.mayslesinstitute.org/cinema/calendar/newisraelicinema_kolnoalogo.jpg" alt="" /></em><em><img height="60" src="http://www.mayslesinstitute.org/cinema/calendar/newisraelicinema_sapirlogo.jpg" alt="" /></em>
        </p>
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<div id="april2012"></div>
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<div id="may2012">
        MAY 2012</div>
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<p>Tuesday, <br />
May 1st, <br />
7:30pm</p>
<p><a href="http://www.brownpapertickets.com/event/245176" target="_blank"><img src="http://www.brownpapertickets.com//g/fl/bpt_s.gif" alt="Tickets" width="88" border="0" /></a></p>
<p><a target="_blank" href="http://www.facebook.com/events/438757569483097/"><img src="http://www.mayslesinstitute.org/cinema/calendar/facebook_event.jpg" alt="Facebook Event" width="88" border="0" /></a>
                </p>
</td>
<td width="21" valign="top"> </td>
<td width="458" valign="top"><span class="style40"><span class="style103">IMMIGRANTS STORIES FROM NETIVOT</p>
<p>Sisai </span><span class="style29"><br />
<em> David Gavro, Israel/Ethiopia, 2005, 56 min. </em> <br />
20-year-old Sisai, an Ethiopian immigrant, lives in Israel with his adoptive family, the Gavros. His father returns from Ethiopia with news about the whereabouts of Sisai&#8217;s biological father. Confused by the news and the realization that he has to confront his past, Sisai does not share his family&#8217;s excitement. He is too busy with his own news, Sivan, his girlfriend, is pregnant. The film&#8217;s director, who is also Sisai&#8217;s brother, joins him and their father on a journey to Ethiopia in search of identity, blood connection, love and longing.<br />
<a href="http://www.wix.com/gavrod/slassi/sisai">Website&gt;</a> <br />
<em>Winner: Lombardia Prize for Best Film: Milan African Film Festival &#8211; Italy 2006 <br />
Winner: Best Documentary Award: Jerusalem International Film Festival &#8211; Israel 2005<br />
Winner: Best First Film Award: Israel Documentary Awards &#8211; Israel 2006 <br />
Hot Docs Canadian International Documentary Festival Toronto &#8211; Canada 2006<br />
The African Diaspora Film Festival, New York City &#8211; USA 2006 </em></span></p>
<p><span class="style103"> My Family&#8217;s Pizza </span> <span class="style29"><br />
<em> Ronen Amar, Israel, 2003, 52 min. </em> <br />
Maksim, a sleep addict, asks his parents to help him buy a pizza place. As soon as the work begins, the parents realize they will have to invest a lot more than just money. With dad as the delivery boy and mom as the oven cleaner, the film provides a true profile of the average Israeli immigrant family in the new millennium. Perhaps the same applies to your home and family? <br />
<em> 3 Continents Film Festival, Nantes &#8211; France 2010 <br />
Winner: Best Documentary Award: The Mediterranean Film Festival of Algarve &#8211; Portugal 2006 <br />
Gold Remi Award: Worldfest International Film Festival &#8211; Houston, Texas &#8211; USA 2005 <br />
Newport Beach International Film Festival, California &#8211; USA 2004 </em></span> </p>
<p><span class="style103"> <strong> Followed by a Q&amp;A with curator, director and educator Avner Faingulernt </strong></span></span></td>
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<td width="91" height="62" valign="top">Wednesday, <br />
                  May 2nd, <br />
                  7:30pm</td>
<td width="21" valign="top"> </td>
<td width="458" valign="top"><strong><a href="http://www.mayslesinstitute.org/cinema/newisraelicinema.html">New Israeli Cinema From Gaza and Sderot </a></strong><br />
                  <em>Curated by Avner Faingulernt <br />
                    Sponsored by the Visual and Audio Art Department at Sapir College and Cinema South International Film Festival, JMT Films</em></td>
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<p><a href="http://www.brownpapertickets.com/event/245179" target="_blank"><img src="http://www.brownpapertickets.com//g/fl/bpt_s.gif" alt="Tickets" width="88" border="0" /></a></p>
<p><a target="_blank" href="http://www.facebook.com/events/438757569483097/"><img src="http://www.mayslesinstitute.org/cinema/calendar/facebook_event.jpg" alt="Facebook Event" width="88" border="0" /></a></p>
</td>
<td width="21" valign="top"> </td>
<td width="458" valign="top">
                  A FEMININE POINT OF VIEW</p>
<p>                  Chicken and the Egg (Play me Allegro) <br />
                  <em>Alon Alsheich &amp; Eran Yehezkel, Israel, 2005, 40 min. </em><br />
                  On the border between Israel and the Palestinian authority, 4 km from Gaza, lies the Nir-Am kibbutz. In spite of Israeli missiles and helicopters soaring above their heads, and Palestinian rockets falling in their yard, Julia, a Russian immigrant, and her five-year-old daughter, choose not to give up. Between taking her child from a violin lesson to a dancing class, Julia takes her political left-winged ideology one step further. In doing so, she starts a chain reaction that will lead to results she could never have anticipated. This is an intimate and surprising story of a mother and daughter who raise each other in their barbed-wired Garden of Eden.<br />
                  <a href="http://www.youtube.com/watch?v=GepQ_azFY5M">Trailer&gt;</a> </p>
<p>                  Sderot, Last Exit <br />
                  <em>Osvalde Lewat, Cameroon/France/Belgium, 2011, 80 min. </em><br />
                  This new documentary by French-Cameroonian journalist and filmmaker Osvalde Lewat is a high-risk attempt to portray the contradictions that arise among the multiple ethnicities and peoples in the Film School of Sderot, situated only two kilometers from the Gaza border in Southern Israel. Created with the mission of bringing peace through the ethical, ideological and artistic use of film as a language, the institution indeed cannot avoid becoming a microcosm of the geo-political landscape in which it is located. Like the region, the Film School is precariously weighted by the daily interactions and tensions between Jews, Muslims, Christians, Palestinians, Israelis, and constituents from the left-wing radicals as well as the ultranationalists. <br />
                  <a href="http://www.africanfilmny.org/2012/sderot-last-exit/">Website&gt;</a> </p>
<p>                  <strong>Followed by a Q&amp;A with Carmen Oquando Villar and curator and director Avner Faingulernt </strong></p>
</td>
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<td width="101" height="62" valign="top">Thursday, <br />
                  May 3rd, <br />
                  7:30pm</td>
<td width="25" valign="top"> </td>
<td width="459" valign="top"><strong><a href="http://www.mayslesinstitute.org/cinema/newisraelicinema.html">New Israeli Cinema From Gaza and Sderot </a></strong><br />
                  <em>Curated by Avner Faingulernt <br />
                    Sponsored by the Visual and Audio Art Department at Sapir College and Cinema South International Film Festival, JMT Films</em></td>
<td width="15" rowspan="3" valign="top"> </td>
</tr>
<tr>
<td valign="top">
<p><a href="http://www.brownpapertickets.com/event/245182" target="_blank"><img src="http://www.brownpapertickets.com//g/fl/bpt_s.gif" alt="Tickets" width="88" border="0" /></a></p>
<p><a target="_blank" href="http://www.facebook.com/events/438757569483097/"><img src="http://www.mayslesinstitute.org/cinema/calendar/facebook_event.jpg" alt="Facebook Event" width="88" border="0" /></a></p>
</td>
<td width="25" valign="top"> </td>
<td width="459" valign="top">
                  WAR TOURISM</p>
<p>                  War Matador <br />
                  <em>Avner Faingulernt &amp; Macabit Abramson, Israel, 2011, 70 min. </em><br />
                  During the war in Gaza in January 2009, two courageous Israeli directors brought their cameras to shoot events, subjects, alternative perspectives and visuals of the war along the common border with Gaza. The bombing is filmed from a distance, out-of-focus, at arm&#8217;s length, just as the visiting Israeli tourists viewed it. These visiting groups of spectators from different parts of Israel come to see the events of the war like the attendants of a bullfight. The muffled impacts of the bombs in the distance heighten attention to the spoken words of the tourists as well as the communities that live intimately with the violence of this area. The words heard are blunt, seemingly lacking all compassion. This film is a disturbing essay about war and tourism, an absurd and surreal relationship. <br />
                  <a href="http://www.youtube.com/watch?v=chYZAqFp80E">Trailer&gt; </a><br />
                  <em>Finalist: International Competition: TRT 2012 Documentary Awards &#8211; Turkey [May 2012] <br />
                    &#8221;Krakow Documentary Premiere&#8221;: Krakow Film Festival &#8211; Poland 2012 [May 2012] <br />
                    LIDF London International Documentary Film Festival &#8211; U.K. [May 2012] <br />
                    CWFF Cape Winelands Film Festival &#8211; South Africa 2012 [March 2012] <br />
                    Jewish Motifs International Film Festival &#8211; Poland 2012 [April 2012] <br />
                    Filmisreal! Festival &#8211; The Netherlands 2012</em> </p>
<p>                  <strong>Followed by a Q&amp;A with Maysles Cinema founder and director Albert Maysles, Sami Shalom Chetrit and Avner Faingulernt</strong></td>
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		<title>The Midas Touch Video Hour: Episode 1</title>
		<link>http://blog.videoart.net/?p=2691</link>
		<comments>http://blog.videoart.net/?p=2691#comments</comments>
		<pubDate>Wed, 25 Apr 2012 14:10:12 +0000</pubDate>
		<dc:creator>brittanystanley</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[midas touch video hour]]></category>

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		<description><![CDATA[The Midas Touch Video Hour: Episode 1 Sunday, April 29 at 11 pm and Wednesday, May 2 at 2 pm One hour of short video art on public access tv. By the people, for the people. on Channel 2 of the Manhattan Neighborhood Network With work by&#8230; // Michael Chernoff // Benjamin Fox // Joshua [...]]]></description>
			<content:encoded><![CDATA[<p><strong>The Midas Touch Video Hour: Episode 1</p>
<p>Sunday, April 29 at 11 pm and Wednesday, May 2 at 2 pm</strong><br />
One hour of short video art on public access tv. By the people, for the people.</p>
<p>on Channel 2 of the Manhattan Neighborhood Network<br />
<a href="http://blog.videoart.net/?attachment_id=2705" rel="attachment wp-att-2705"><img src="http://blog.videoart.net/wp-content/uploads/1_midastitle.jpg" alt="" title="1_midastitle" width="557" height="381" class="alignnone size-full wp-image-2705" /></a></p>
<div id="attachment_2692" class="wp-caption alignnone" style="width: 610px"><a href="http://blog.videoart.net/?attachment_id=2692" rel="attachment wp-att-2692"><img src="http://blog.videoart.net/wp-content/uploads/ep1still2.jpg" alt="" title="ep1still2" width="600" height="401" class="size-full wp-image-2692" /></a><p class="wp-caption-text">Still from The Baddest Chixxx by Katie Hickman</p></div>
<p>With work by&#8230;</p>
<p>// Michael Chernoff</p>
<p>// Benjamin Fox</p>
<p>// Joshua Graver</p>
<p>// Katie Hickman</p>
<p>// Stephanie (Sticky) Hough</p>
<p>// Jonathon Keats</p>
<p>// Ben Neufeld</p>
<p>// Edward Ramsay-Morin</p>
<p>// Jean-Michel Rolland</p>
<p>// SR Shearer</p>
<p>// Lauryn Siegel</p>
<p>// Brittany Stanley</p>
<p>Curated by&#8230;</p>
<p>// Abbey Ozanich</p>
<div id="attachment_2693" class="wp-caption alignnone" style="width: 610px"><a href="http://blog.videoart.net/?attachment_id=2693" rel="attachment wp-att-2693"><img src="http://blog.videoart.net/wp-content/uploads/ep1still4.jpg" alt="" title="ep1still4" width="600" height="337" class="size-full wp-image-2693" /></a><p class="wp-caption-text">Still from Finds a Face by Joshua Graver</p></div>
<p>Catch the program live on television in Manhattan on the MNN Lifestyle Channel (Channel 56 on Time Warner, Channel 83 on RCN, or Channel 34 on FiOS) or live online anywhere by visiting <a href="http://www.mnn.org/live/2-lifestyle-channel">http://www.mnn.org/live/2-lifestyle-channel</a>. The episode—as well as descriptions of the featured work, artist bios, and more—will also be available on our website following the premiere.</p>
<p>For more information visit us at <a href="www.midastouchprojects.com">www.midastouchprojects.com</a>, or like us on Facebook at <a href="www.facebook.com/midasprojects">www.facebook.com/midasprojects</a>.</p>
<div id="attachment_2694" class="wp-caption alignnone" style="width: 610px"><a href="http://blog.videoart.net/?attachment_id=2694" rel="attachment wp-att-2694"><img src="http://blog.videoart.net/wp-content/uploads/ep1still.jpg" alt="" title="ep1still" width="600" height="375" class="size-full wp-image-2694" /></a><p class="wp-caption-text">Still from Wounds by Benjamin Fox</p></div>
<p><div id="attachment_2696" class="wp-caption alignnone" style="width: 610px"><a href="http://blog.videoart.net/?attachment_id=2696" rel="attachment wp-att-2696"><img src="http://blog.videoart.net/wp-content/uploads/ep1still5.jpg" alt="" title="ep1still5" width="600" height="337" class="size-full wp-image-2696" /></a><p class="wp-caption-text">Still from That Perfect High by Brittany Stanley</p></div><br />
<div id="attachment_2695" class="wp-caption alignnone" style="width: 610px"><a href="http://blog.videoart.net/?attachment_id=2695" rel="attachment wp-att-2695"><img src="http://blog.videoart.net/wp-content/uploads/ep1still3.jpg" alt="" title="ep1still3" width="600" height="375" class="size-full wp-image-2695" /></a><p class="wp-caption-text">Still from The Titan by Edward Ramsay-Morin</p></div></p>
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		<title>3RD VIDEO ART &amp; EXPERIMENTAL FILM FESTIVAL CALL FOR SUBMISSIONS!</title>
		<link>http://blog.videoart.net/?p=2658</link>
		<comments>http://blog.videoart.net/?p=2658#comments</comments>
		<pubDate>Wed, 11 Apr 2012 16:53:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[All Events]]></category>
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		<category><![CDATA[Videoart.net Events]]></category>
		<category><![CDATA[2013 video art and experimental film festival]]></category>
		<category><![CDATA[call for submissions]]></category>
		<category><![CDATA[call for video art]]></category>
		<category><![CDATA[videoart.net]]></category>

		<guid isPermaLink="false">http://blog.videoart.net/?p=2658</guid>
		<description><![CDATA[Videoart.net is thrilled to announce its call for submissions to the 3rd Video Art &#038; Experimental Film Festival that will be held at Tribeca Cinemas on February 7-8, 2013. Talented video artists and filmmakers from around the world are invited to submit to this groundbreaking festival! Hosted by Videoart.net, the international network for underground video [...]]]></description>
			<content:encoded><![CDATA[<p>Videoart.net is thrilled to announce its call for submissions to the 3rd Video Art &#038; Experimental Film Festival that will be held at Tribeca Cinemas on February 7-8, 2013.</p>
<p>Talented video artists and filmmakers from around the world are invited to submit to this groundbreaking festival!</p>
<p>Hosted by Videoart.net, the international network for underground video artists and experimental filmmakers, this Festival will continue to introduce New York audiences to the most arresting, provocative, and conceptual pieces born of our era. The Festival welcomes any and all artists and filmmakers with films/videos that possess an experimental edge to join us for another year of exceptional screenings. </p>
<p>The Festival is currently open for <a href="http://festival.videoart.net/index.php">submissions</a> and the Final Deadline is August 1, 2012. </p>
<p>The 2nd Video Art &#038; Experimental Film Festival (Dec. 2011) was a huge success! Here is just a taste of the amazing contemporary video art and experimental film featured in the Festival:</p>
<p>   <iframe src="http://player.vimeo.com/video/33108548?title=0&amp;byline=0&amp;portrait=0" width="650" height="366" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
<p>Please visit <a href="http://festival.videoart.net/index.php">festival.videoart.net</a> for more information.</p>
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		<title>Lowry Burgess to be first to send art to the moon</title>
		<link>http://blog.videoart.net/?p=2628</link>
		<comments>http://blog.videoart.net/?p=2628#comments</comments>
		<pubDate>Sat, 10 Mar 2012 15:48:30 +0000</pubDate>
		<dc:creator>brittanystanley</dc:creator>
				<category><![CDATA[Featured]]></category>
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		<category><![CDATA[carnegie mellon school of art]]></category>
		<category><![CDATA[lowry burgess]]></category>
		<category><![CDATA[moonarts.org]]></category>
		<category><![CDATA[studioforcreativeinquiry]]></category>

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		<description><![CDATA[A controversial figure in the School of Art at Carnegie Mellon, Lowry Burgess often seems to have his head in the clouds. His ideas are about to transcend even deeper into outer space as he has teams up with CMUs Robotics Institute to send the very first piece of artwork to the moon. Filmmakers Jonathan [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_2629" class="wp-caption alignnone" style="width: 650px"><a href="http://blog.videoart.net/?attachment_id=2629" rel="attachment wp-att-2629"><img src="http://blog.videoart.net/wp-content/uploads/lowry.png" alt="" title="lowry" width="640" height="360" class="size-full wp-image-2629" /></a><p class="wp-caption-text">Lowry Burgess to send art to the moon</p></div>
<p>A controversial figure in the School of Art at Carnegie Mellon, Lowry Burgess often seems to have his head in the clouds. His ideas are about to transcend even deeper into outer space as he has teams up with CMUs Robotics Institute to send the very first piece of artwork to the moon. Filmmakers Jonathan Minard and Michael Pisano will chronicle the endeavor in a documentary. </p>
<p><iframe src="http://player.vimeo.com/video/27648978" width="650" height="366" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
<p>Lowry Burgess, a pioneer space artist, has over 30 years of experience collaborating with NASA and creating visionary artworks in a cosmic context. In 2013, a robotic mission from Carnegie Mellon (the first commercially funded lunar expedition) will send his art to the Moon.</p>
<p>The Moon Arts Group envisions creative ways of establishing a link between the Earth and Moon, advances the presence of human culture in space, and facilitates never before realized opportunities for art and exploration.<br />
To see more, visit <a href="http://moonarts.org">moonarts.org</a> and <a href="http://studioforcreativeinquiry.org/">studioforcreativeinquiry.org/</a></p>
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		<title>The Real Conquests at Favorite Goods</title>
		<link>http://blog.videoart.net/?p=2636</link>
		<comments>http://blog.videoart.net/?p=2636#comments</comments>
		<pubDate>Fri, 09 Mar 2012 15:51:49 +0000</pubDate>
		<dc:creator>brittanystanley</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[favorite goods]]></category>
		<category><![CDATA[The Real Conquests]]></category>

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		<description><![CDATA[Favorite Goods is proud to announce the opening of The Real Conquests with works by Milano Chow, Julie Grosche, Andres Laracuente, and Van Hanos on view from March 10 to March 31, 2012. An opening reception will be on Saturday, March 10 from 7 &#8211; 10 pm. Looking into the light, watching the dust settle, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://favoritegoodslosangeles.com">Favorite Goods</a> is proud to announce the opening of The Real Conquests with works by Milano Chow, Julie Grosche, Andres Laracuente, and Van Hanos on view from March 10 to March 31, 2012. An opening reception will be on Saturday, March 10 from 7 &#8211; 10 pm.  </p>
<p><a href="http://blog.videoart.net/?attachment_id=2637" rel="attachment wp-att-2637"><img src="http://blog.videoart.net/wp-content/uploads/005poster_email.jpg" alt="" title="005poster_email" width="560" height="362" class="alignnone size-full wp-image-2637" /></a></p>
<p>Looking into the light, watching the dust settle, a shift in focus.  What is seen and unseen and what has fallen into the space between.  Like the Ouroboros the cycle perpetuates itself. The Real Conquests redirects the gaze to the peripheral, putting the viewer behind the lens or in the shadows.  The overlooked object is turned into the subject and portrayed with a simplistic ambiguity, creating new myths, understandings, and a nostalgia for what is lost even while being in it’s presence.  What lies undiscovered in our everyday?  The unused hand, the path never taken, the color in time’s passage, perhaps the greatest discoveries lie waiting for us sleeping beneath our steps as we walk blindly towards our futures.</p>
<p>Through ontological investigations of objects both in sculptural form and image based works each artist deals with reestablishing new relationships between the subject and the viewer.  Works shown by Andres Laracuente are created from a discarded motorcycle seat and a stone found on the street.  He works to strip down or cover each form, a skinning or re-skinning of sorts, giving a second life to his materials.  Julie Grosche uses photography similarly as a way of removing the object from its original context in the real and mystifying it by placing it between the sun and the viewer, elevating the everyday object in use to an ambiguous or perceived position of power.  Milano Chow’s drawings delicately capture the space between, evoking the quietude existing along side us.  A wilted flower silhouetted in a window, a weed growing towards the light unnoticed, disregarded like the detritus beside it.  Van Hanos is exhibiting two paintings made together of unused forms; a painting of his left hand twice, and an abstract work, a “rag”, created through cleaning his brushes while painting the hands.  The image of, the other, and the material.</p>
<p><strong>Milano Chow</strong> (b.1987, Los Angeles, CA) lives and works in Los Angeles, CA. Her work has been included in exhibitions at 179 Canal Street, NY, 86 Forsyth, NY, 304 Days, Vancouver, British Columbia, and Back Yard Projects, NY.  She ran publishing project Medium Rare, 2008-2011, and currently runs Oso Press. Chow is also a 2011 receiptiant of the Printed Matter Award for Artists. She received her BA from Barnard College in 2009.</p>
<p><strong>Julie Grosche</strong> (b.1986, Burgundy, France) lives and works in Berlin, Germany and Richmond, VA. Grosche is the co-founder of PMgalerie in Berlin and of Bcc, an itinerant curatorial project.  Her work and curatorial endeavors have appeared internationally at Pauline&#8217;s, NY, Reference Gallery, Richmond, VA, Domestica, Barcelona, Spain, PROGRAM, Berlin,  as well as taking part in Based in Berlin in 2011.</p>
<p><strong>Andres Laracuente </strong>(b.1982, Indiana) lives and works in New York, NY.  He has presented works at  White Box, Light Industry, and P.S.1 MoMa in New York. Additional exhibitions include Yale Sculpture Gallery in New Haven, Autocenter in Berlin, the National Gallery of Arts in Albania, and Brown Gallery in London, as well as Paris, Brussels, Tokyo and Taipei. He was featured as panelist at the MIT 5 international conference moderated by Bill Arning, and a visiting artist at Yale School of Art and Cornell College of Art. Laracuente is the recipient of the Kimmel Harding Nelson 2012 Residency award.</p>
<p><strong>Van Hanos </strong> (b. 1979, Edison, NJ) lives and works in New York, NY. He received a BFA from Maryland Institute College of Art in 2001, and a MFA from Columbia Univeristy in 2010. His debut solo show at West Street Gallery opened in 2011. His work has been included in group exhibitions at Pianissimo, Milan, Italy, New Jersey’s Museum of Contemporary Art, NJ, Pepin Moore, Los Angeles, P.P.O.W., NY, and Gavin Brown Enterprise, NY. </p>
<p><a href="http://favoritegoodslosangeles.com">Favorite Goods</a> is located at 936 1/2 Chung King Road in Los Angeles’s Chinatown. The space is dedicated to being a platform for ideas, artists, curators, and creativity.  Through exhibitions, performances, and collaborations we seek to be a conduit for critical dialogue as well as a social space connecting artists and audiences from a local to international level.</p>
<p>Favorite Goods<br />
936 1/2 Chung King Road<br />
Los Angeles, CA 90012<br />
www.favoritegoodslosangeles.com</p>
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		<title>A SCREENING &amp; READING OF WORKS FROM THE BOOK AND DVD: STRANGE ATTRACTORS: INVESTIGATIONS IN NON-HUMANOID EXTRATERRESTRIAL SEXUALITIES</title>
		<link>http://blog.videoart.net/?p=2611</link>
		<comments>http://blog.videoart.net/?p=2611#comments</comments>
		<pubDate>Mon, 05 Mar 2012 15:33:01 +0000</pubDate>
		<dc:creator>brittanystanley</dc:creator>
				<category><![CDATA[Artist Events]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[encyclopedia destructica]]></category>
		<category><![CDATA[Investigations in Non-Humanoid Extraterrestrial Sexuality]]></category>
		<category><![CDATA[strange attractors]]></category>
		<category><![CDATA[suzie silver]]></category>

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		<description><![CDATA[If you are in New York next weekend, the following is absolutely not to be missed: Announcing: A SCREENING &#038; READING of works from the book and DVD: Strange Attractors: Investigations in Non-Humanoid Extraterrestrial Sexualities Sunday, March 11 at 8:30pm Anthology Film Archives 32 2nd Ave New York, NY 10003 Readings by: Anselm Berrigan and [...]]]></description>
			<content:encoded><![CDATA[<p>If you are in New York next weekend, the following is absolutely not to be missed:</p>
<p><strong>Announcing: A SCREENING &#038; READING of works from the book and DVD:<br />
<a href="http://blog.videoart.net/?p=1316">Strange Attractors: Investigations in Non-Humanoid Extraterrestrial Sexualities</a></strong></p>
<p>Sunday, March 11 at 8:30pm</p>
<p><strong>Anthology Film Archives</strong><br />
32 2nd Ave<br />
New York, NY 10003</p>
<div id="attachment_2674" class="wp-caption alignnone" style="width: 660px"><a href="http://blog.videoart.net/?attachment_id=2674" rel="attachment wp-att-2674"><img src="http://blog.videoart.net/wp-content/uploads/lovepuddles_final_720p-00042001-650.jpg" alt="" title="lovepuddles_final_720p-00042001 650" width="650" height="366" class="size-full wp-image-2674" /></a><p class="wp-caption-text">Still from Love Puddles by Michael Mallis and Mikey McParlane</p></div>
<p><strong>Readings by:</strong><br />
Anselm Berrigan and Christine Kelly </p>
<p><strong>Videos by:</strong><br />
Peggy Ahwesh<br />
Scott Andrew<br />
Jacob Ciocci<br />
Hilary Harp/Suzie Silver<br />
Hooliganship<br />
Jen Inman/Tom McConnell<br />
Amy Johnson<br />
Michael Mallis/Mikey McParlane<br />
Darrin Martin/Torsten Zenas Burns<br />
Shana Moulton<br />
Larry Shea<br />
Joshua Thorson/Mike Harringer</p>
<p><strong>Your hosts (and curators of Strange Attractors):</strong><br />
Christopher Kardambikis, Jasdeep Khaira and Suzie Silver</p>
<p>Inspired by Kepler’s quest for earth-like planets, Strange Attractors  is a nearly 300 page, full color book and DVD containing art, writing, and film that envisions the sexualities of beings that may some day be encountered &#8211; if not in outer space than at least in our dreams!  A joint publication by <a href="http://www.encyclopediadestructica.com/">Encyclopedia Destructica</a>  and <a href="http://extraterrestrialsexuality.org/">The Institute of Extraterrestrial Sexuality</a>, this project presents the work of 70 artists, writers and filmmakers who have created an amazing range of expressions expanding our conception of the possibilities of alien life forms and the nature of sexual desire.</p>
<p><iframe src="http://player.vimeo.com/video/27103319?title=0&amp;byline=0&amp;portrait=0" width="640" height="360" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>
<p>A brief compilation of short excerpts from some of the videos included on a DVD with the Strange Attractors: Investigations in Non-Humanoid Extraterrestrial Sexuality book. For more information: kck.st/​juazes and http://extraterrestrialsexuality.org</p>
<p><div id="attachment_2678" class="wp-caption alignnone" style="width: 660px"><a href="http://blog.videoart.net/?attachment_id=2678" rel="attachment wp-att-2678"><img src="http://blog.videoart.net/wp-content/uploads/sing_siren_song650.jpg" alt="" title="sing_siren_song650" width="650" height="366" class="size-full wp-image-2678" /></a><p class="wp-caption-text">Still from Sing, Sing, Song by Amy Johnson</p></div><br />
<div id="attachment_2677" class="wp-caption alignnone" style="width: 650px"><a href="http://blog.videoart.net/?attachment_id=2677" rel="attachment wp-att-2677"><img src="http://blog.videoart.net/wp-content/uploads/ysbryd.jpg" alt="" title="ysbryd" width="640" height="480" class="size-full wp-image-2677" /></a><p class="wp-caption-text">Still from YSBRYD by Julie Murray</p></div></p>
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		<title>Jennifer West in Conversation with Gregory Kurcewicz﻿</title>
		<link>http://blog.videoart.net/?p=2616</link>
		<comments>http://blog.videoart.net/?p=2616#comments</comments>
		<pubDate>Fri, 02 Mar 2012 15:34:37 +0000</pubDate>
		<dc:creator>brittanystanley</dc:creator>
				<category><![CDATA[Artist Events]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Jennifer West in Conversation with Gregory Kurcewicz]]></category>
		<category><![CDATA[s1 artspace]]></category>

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		<description><![CDATA[Jennifer West in Conversation with Gregory Kurcewicz﻿ Saturday 10th March &#124; 2.30pm To mark the final day of Aloe Vera &#038; Butter, S1 Artspace is pleased to announce that Jennifer West will be in conversation with artist and independent curator Gregory Kurcewicz on Saturday 10th﻿ March. Together they will discuss West’s experimental film practice and [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Jennifer West in Conversation with Gregory Kurcewicz﻿<br />
Saturday 10th March | 2.30pm</strong></p>
<p>To mark the final day of Aloe Vera &#038; Butter, S1 Artspace is pleased to announce that Jennifer West will be in conversation with artist and independent curator Gregory Kurcewicz on Saturday 10th﻿ March. Together they will discuss West’s experimental film practice and present a number of West&#8217;s additional works not included in the exhibition. ﻿<br />
West’s largely camera-less work is deeply rooted in performance, popular culture, action painting, the history of experimental &#8211; and more specifically &#8211; materialist and structuralist film. The conversation with Kurcewicz, will discuss West’s work within these contexts and the larger history of artists&#8217; film. West and Kurcewicz will draw upon seminal works by experimental filmmakers who have been major influences such as Carolee Schneemann, Tony Conrad, Stan Brakhage and Mike Kelley. </p>
<p>Jennifer West (born Topanga, California, lives and works in LA) has exhibited widely internationally with solo exhibitions in 2011 at Vilma Gold, London, and Franklin Art Works, Minneapolis. She has also presented solo exhibitions at the Contemporary Arts Museum, Houston, Western Bridge, Seattle and Kunstverein Nürnberg (all 2010). In the UK, West has exhibited with George Ziffo at Transmission Gallery, Glasgow, 2008, and was featured in the 2007 exhibition, If Everybody had an Ocean, at Tate St Ives. In 2009 she was commissioned to produce special project, Skate the Sky, for the Turbine Hall at Tate Modern, London, and in 2011 she was Artist in Residence at the MIT List Visual Arts Center in Cambridge Massachusetts. Upcoming projects include an exhibition at the new Highline Channel and a performance based work for Highline Art, New York. West is represented by Vilma Gold, London and Marc Foxx Gallery, Los Angeles.</p>
<p>﻿Greg Kurcewicz is a painter, filmmaker and independent curator. He was co-curator of the influential internationally touring Lux programme series Shoot! Shoot! Shoot! (The London Filmmakers&#8217; Coop 1966-76) which re-introduced critical discussion of structural, materialist, expanded, and performative film-forms back into the discourse of contemporary art during this period. Amongst other projects he was also co-curator of the ground breaking experimental and underground screening series Little Stabs at Happiness which ran monthly at the ICA from 1997-2000. Kurcewicz has exhibited at venues internationally Including Tate Modern, London. </p>
<p>This event is free however places are limited.<br />
To reserve a place please email chloe@s1artspace.org</p>
<p> S1 Artspace | 120 Trafalgar Street | Sheffield | S1 4JT | UK<br />
+44 (0)114 2133 780 | www.s1artspace.org | info@s1artspace.org﻿ </p>
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		<title>Kalup Linzy joins Art/Trek to give the spotlight to up and coming artists</title>
		<link>http://blog.videoart.net/?p=2530</link>
		<comments>http://blog.videoart.net/?p=2530#comments</comments>
		<pubDate>Fri, 06 Jan 2012 21:27:10 +0000</pubDate>
		<dc:creator>brittanystanley</dc:creator>
				<category><![CDATA[Artist Events]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[art/trek nyc]]></category>
		<category><![CDATA[kalup linzy]]></category>

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		<description><![CDATA[Art/Trek NYC travels to the far reaches of New York city art neighborhoods in a quest to showcase new and emerging artists in the latest series premiering on NYC Life (Channel 25). Art/Trek NYC has been sponsored by WelcometoCOMPANY.com and premieres January 9, 2012 at 9 p.m. on NYC Media Channel 25. One of the [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.videoart.net/?attachment_id=2532" rel="attachment wp-att-2532"><img src="http://blog.videoart.net/wp-content/uploads/artTrek-NYC-300x266.jpg" alt="" title="artTrek NYC" width="300" height="266" class="alignleft size-medium wp-image-2532" /></a><br />
Art/Trek NYC travels to the far reaches of New York city art neighborhoods in a quest to showcase new and emerging artists in the latest series premiering on NYC Life (Channel 25). Art/Trek NYC has been sponsored by WelcometoCOMPANY.com and premieres January 9, 2012 at 9 p.m. on NYC Media Channel 25. One of the spotlighted artists will be chosen by the public through random interviews to win their first solo exhibitionon the series&#8217; final episode.</p>
<p>Created and Directed by CJ Follini, Art/Trek NYC takes viewers on a journey through the five New York City boroughs with the mission to find an artist to showcase with a solo exhibit of their individual work for the first time to the public. Traveling with the ArtV, a graffittied, mobile art gallery ( formerly a recreational vehicle), the Hosts which include such cultural luminaries as: video and performance artist, Kalup Linzy (Le Petit Versailles, All My Churen) and Curator Wayne Northcross (The Bronx Biennial, The Project Gallery) and legendary guitarist Vernon Reid, guide the emerging artists in the selection of their artwork to install in the ArtV. alternative art space. <a href="http://blog.videoart.net/?attachment_id=2531" rel="attachment wp-att-2531"><img src="http://blog.videoart.net/wp-content/uploads/Screen-shot-2012-01-06-at-4.21.37-PM.png" alt="" title="kalup" width="325" height="499" class="alignright size-full wp-image-2531" /></a><br />
Then the mobile art gallery takes the work &#8220;to into the street&#8221; for an impromptu, raw critique by their neighbors and peers. All episodes contain music from MTA Arts for Transit “Music Under New York” program performers.<br />
Art/Trek NYC will air six half-hour, unscripted episodes offering viewers a documentary-style expedition into New York City’s art scene where the sixth and final episode presents the winner and the unveiling of their first public art show. The show airs every week and premieres Monday, January 9, 2012 at 9 p.m. on NYC Media Channel 25.</p>
<p>About Welcome to COMPANY:</p>
<p><a href="http://www.welcometocompany.com/">Welcome to COMPANY</a> is an online/offline social network connecting collectors of contemporary art that provides compelling content, an on-line art exchange and original art works from emerging artists for sale commissioned by COMPANY. With the debut of its off-line networking salon &#8211; The Collector Series &#8211; and its cable TV show &#8211; Art/Trek NYC – COMPANY offers advertisers a multi-platform advertising opportunity to a highly sought-after targeted demographic. Welcome to COMPANY.</p>
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